Ende Global site tag--> Galerie Année of Haarlem at art KARLSRUHE 24 Classic Modern and Contemporary Art in Karlsruhe
Menu
art Karlsruhe
An event presented by

Galerie Année

Gedempte oude Gracht 33, 2011 GL Haarlem
Netherlands
Telephone (+31)235325231, (+31)6 24218488
info@galerieannee.nl

Trade fair planning

0
Remove from MyOrganizer Add to MyOrganizer Recommend gallery

Location

Contact

Annelies Année

Annelies Année

Gallery owner

Gedempte Oude Gracht 33
2011 GL Haarlem, Netherlands

Phone
00 31 6 242 184 88

Email
mail@galerieannee.nl

Peter Binkhorst

Peter Binkhorst

Gallery owner

Phone
00 31 6 54 26 65 82

Email
mail@galerieannee.nl

Our range of artists

Categories

  • 2  Discover

Discover

5 Artist details

  • 3  Photography

Photography

1 Artist detail

Our Artists

Artist details

2050 204 124x124cm 2050 341 160 x 80 cm. 2050 344 160 x 80 cm. 2050 373 160 x 80 cm. 2050 224 100 x 100 cm. 2050 276 150 x 150 cm. 2050 293 100 x 100 cm. 2050 292 100 x 100 cm.

Category: Photography

van de Camp & Heesterbeek

The works of vandeCamp&Heesterbeek start with portrait photography and end with abstraction. Portrait photo’s are carefully deconstructed and assembled back together again. The intent of the photo or the identity of the person portrayed are no longer relevant, there is only the image. As reversed painters they take out the irrelevant details of photography to get to the essence of the image.
Every once in a while a fictitious object is added. The identity and form of the person portrayed are remixed. The result are images where the black and the white live their own lives. The original portrayed persons are still recognizable but are now part of a larger whole; albeit stripped to the existential minimum in a balanced composition.
Patricia van de Camp heeft grafische kunst en fotografie gestudeerd aan de Rietveld Academie Amsterdam en de Design School SDU Kolding in Denemarken.
Patricia van de Camp studied graphic Art and photography at the Rietveld academie in Amsterdam and the Design School SDU Kolding in Denmark.Marc Heesterbeek studied architecture and urban planning at the Technische Universiteit Eindhoven and space architecture at the SICSA in Houston.

More Less

No deposit 10, Oil on Canvas 150 x 80 cm. 'Ficus carica' - oil and acrylic paint and embroidery silk on linen -150 x 120 cm. 'Aerialroots' - oil paint and embroidery silk on canvas - 150 x 120 cm. 'Impatiens' - oil on linen - 120 x 100 cm. 'Irises' - oil and acrylic paint and embroidery silk on linen - 90 x 80 cm. 'Nodeposit 5' - oil paint / embroidery silk on linen - 130 x 110 cm. 'My houseplants 2' - oil paint acrylic paint nylon fibers on linen 150 x 120 cm. 'My Houseplants 4' - oil and embroidery on canvas - 150 x 120 cm. 'My houseplants 5' - oil, acrylic and nylon fibers on canvas - 150 x 120 cm. 'Nodeposit 9' - oil & embroidery on canvas - 150 x 80 cm.

Category: Discover

Nikkie le Nobel

By building layer upon layer, Nikkie le Nobel (1959) creates impressions of nature in abstracted spaces. 'The ambiguity of our perception is a reason for me to layer my paintings and drawings.

Both in the use of paint and in the composition of the image.
This way, I can investigate both the formal qualities of a painting and the interpretations that arise from the relationship between the different image layers. The shapes arise intuitively, arising from the behavior of the paint, or strictly directed, and looking realistic. The relationship they enter into with each other fascinates me, as does that between the flat surface and the illusion of spaciousness. Often one of the image layers consists of a different material; an embroidered layer or a flocked, velvety layer.

This allows me to create a layer that distinguishes itself from the other layers and gives a feeling of enrichment and intensity to my canvases. My starting point is often shapes from nature. Precisely these forms, by not being loaded with meanings, give me the space to create images to which I can give meaning while painting without wanting to be narrative. The image in the final painting has become removed from reality and touches on something else, on sensory, feelings and suggestion, without wanting to be narrative.'

Graduated from the Art Academy, Tilburg in 1987
Exhibitions throughout the Netherlands, France and Spain since 1987.

More Less

Anne Rose Regenboog cube objects - oxidized metal - 20x 20 x 20 cm. Anne Rose Regenboog - cube objects - oxidized metal - 20x 20 x 20 cm. Anne Rose Regenboog - cube objects - oxidized metal - 20x 20 x 20 cm. Anne Rose Regenboog - cube object - oxidized metal - 20x 20 x 20 cm. Anne Rose Regenboog - cube objects - oxidized metal - 20x 20 x 20 cm.

Category: Discover

Anne Rose Regenboog

Anne Rose Regenboog (1958) draws her inspiration from elementary shapes.
In her oeuvre she focuses on experiment and conceptual thinking within a given context.

In her studio, first in Amsterdam and since 2005 in The Hague, small wearable objects were made over a period of 25 years.
A time when, in addition to making work for exhibitions, research and experiment have always been important.
In that time, her oeuvre has found its way into galleries for wearable art objects.

The cube project that Anne Rose has been working on for the past eight years is an investigation into the possibilities within the boundaries of a concept, in which she constructs sleek cubes of thin steel wires.
The extra lines within the open cubes are like a spatial script based on three-dimensional geometric shapes.
Each sculpture is autonomous, like a drawing in space, but together with the light and the movement of viewing,
the cubes form a lively play, a choreography for the eye.

1982 – 1986 Professional school for goldsmiths in Schoonhoven
1986 – 1990 Fine Arts at the Gerrit Rietveld Academy Amsterdam

She has been exhibiting at Galerie Année since 2010.
Her work is included in various private collections at home and abroad.

More Less

'I don't answer questions', oilpaint on canvas 120x100cm 2023 Peter de Graaff - 'How an empty room looks like 4' - acryl oil paint on canvas - 150 x 180 cm Peter de Graaff - 'How an empty room looks like 5' - acryl oil paint on canvas - 150 x 180 cm Peter de Graaff - 'How an empty room looks like I' - Acrylölfarbe auf Leinwand – 140 x 145 cm Peter de Graaff - 'How an empty room looks like 6' - acryl oil paint on canvas - 135 x 170 cm Peter de Graaff - 'How an empty room looks like 2' - acryl oil paint on canvas - 140 x 145 cm Peter de Graaff - 'How an empty room looks like 3' - acryl oil paint on canvas - 140 x 145 cm. Peter de Graaff - 'What happend' - Acryl-Ölfarbe auf Leinwand - 120 x 100 cm.

Category: Discover

Peter de Graaff

Peter de Graaff (1961) is a painter tout court. In his search for the 'ultimate' painting, he makes eager use of the age-old vocabulary of painting.
The paintings focus on figures and the interior. The starting point is edited photos of characters and historical interiors.
He then builds up his work transparently; layer by layer, so that the view from one layer to the other remains visible.
Then there is – literally – a second, third and fourth image layer that refers to the story behind it, to the person even if he is absent from the image.
The final layer, shaded white or black paint, ensures that underlying colors softly shine through.
These layers, the different 'moments' in the painting, move through time, as it were, and come together in the consciousness of the viewer into one whole, one experience.
Rijksakademie, Amsterdam from 1990 – 1992
Has been exhibiting at home and abroad since 1990.
Work in private and corporate collections at home and abroad.

More Less

Alice Cescatti - 'Beacon' oilpaint, ink on silverleave panel, 100x100 cm Alice Cescatti - 'Faraway Fortress' - acid etched on silver leaf panel - 100 x100 cm Alice Cescatti - 'Submerge I' - diptych - acid etched on silver leaf panel - 120 x160 cm Alice Cescatti - 'Return of the Messengers' - acid etched on silver leaf panel - 100 x100 cm Alice Cescatti - 'Early morning flight' - acid etched on silver leaf panel - 80 x 100 cm. Alice Cescatti - 'The Messengers 1' - acid etched on silver leaf panel - 60 x 60 cm Alice Cescatti - 'The Messengers 2' - acid etched on silver leaf panel - 60 x 60 cm Alice Cescatti - 'Ocean swell' - acid etched on silver leaf panel - 43 x 43 cm. Alice Cescatti - 'One Tree Hill' - acid etched on silver leaf panel - 60 x 60 cm Alice Cescatti - 'Of shore' - acid etched on silver leaf panel - 100 x 100 cm

Category: Discover

Alice Cescatti

Alice Cescatti (1962) originally from New Zealand, is based in London. Although she is living in a urban environment, Cescatti has instinctively gravitated towards locations for painting, that combine a sense of wilderness with intense light and color. Cescatti’s paintings are water gilded in silver leaf on wood panels. They are semi abstract works celebrating light and color enhanced by the backdrop of burnished silver.
Her work describes the great power and energy of our natural environment.
Alice draws the viewer into her paintings with the intention of focusing on the mindfulness of preserving nature in all its forms.

1980 – 1981 Fine Arts, Ilam, Christchurch, New Zealand
1982 – 1985 Interior Design Consultant, General Trading Company, New Zealand

1991 – 1992 Interior Design Diploma, London School of Distributive Trade, London
1994 – 1996 Apprenticeship in the Restoration of Gilded Furniture for Rupert Bevan Design

Alice is an award-winning artist who has had numerous Solo and Group Shows in London, throughout England, across Europe and America and her work is held in Public and Private Collections Worldwide.

More Less

Ralf Weber - 'Infinite Line' - black granite - 217 x 16 x 15 cm Ralf Weber - 'Begegnung' - black granite - 47 x 47 x 23 cm. Ralf Weber - 'Gate 2' - black granite, steel - 235 x 81 x 23 cm. Ralf Weber - 'Falce della luna' - black granit, stainless steel - 238 x 40 x 6 cm Ralf Weber - 'Turn' - black granit, stainless steel - 180 x 40 cm Ralf Weber - 'Ring coral' - marble - 6 x 60 x 60 cm Ralf Weber - 'Tube.coral' - marble - 60 x 60 x 52 cm Ralf Weber - 'Screw' - black granite, steel - 166 x 27 x 27 cm, base 62 x 27 x 27 cm

Category: Discover

Ralf Weber

Ralf Weber (1972) is a sculptor based in Germany. Fascinated by contrasts, contradictions and tension. Weber is inspired by nature and its materials, usually black granite and white marble.

In his work he searches for the infinite line that envelops a volume like a movement in space.

'I understand my works as sculptural sketches of space. In almost all works the sculpture has an inner core that is connected to the infinite line.
This inner element is the soul of the block, which escapes my strict form concept.
The movements of the soul of the stone have a finer dynamic and an explicitly contrasting surface structure, the boundaries of which are determined only by the infinite line.
What I really want to show is that the whole thing is an impossible exercise.
The choice of materials is deliberately wrong. These works are about a real uselessness.
I cut and chisel for as long as necessary before the previous structures of the material,
and thus the system, as it were, collapse.'

1992 – 1995 stone carving training in the traditional way.
Working as an artist and sculptor since 1998.

Participation in numerous exhibitions and art fairs at home and abroad.

More Less

About us

Gallery profile

Galerie Année has been showing contemporary modern art for over 31 years.

In a canal house in Haarlem we offer a wide range of high-quality art with a demonstrably unique visual language by artists from within and outside the Netherlands.

Right in the heart of Haarlem, these artists can be followed over a longer period of time, as the gallery regularly features them in its exhibitions, fair presentations and events.

The exhibitions often consist of combinations of two and three-dimensional work that reinforce a certain atmosphere. These are arranged with great care in the bright exhibition space that gives full attention to the art.

In addition, the gallery participates in local events such as Stripdagen Haarlem and De Kunstlijn Haarlem, an open studio route that has grown into a large regional event.

The gallery has been profiling itself at various national and international art fairs since 1995.

Galerie Année opened its doors in 1992 and has grown into a professional art company that offers excellent service, both in terms of personal advice and business.

As experienced gallerists, hostess/owner Annelies Année and her husband Peter Binkhorst make visitors feel welcome and give them plenty of space to explore the exhibition. They offer information about art and the artist and the opportunity to obtain extensive advice about a purchase.

The sustainable collaboration with the artists affiliated with the gallery and extensive knowledge of the contemporary art supply form the basis on which the gallery advises and assists art lovers in acquiring and installing high-quality, affordable works of art in their own environment.

More Less

Company data

Foundation

1992