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MOLSKI gallery

Aleja Wielkopolska 65A, 60-603 Poznan
Poland
Telephone (+48)730056730, (+48)728318814
office@molskigallery.com

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Location

  •   dm-arena / H4/M15

Contact

Michał Molski

Michał Molski

Phone
+48 730056730

Email
michal@molskigallery.com

Krzysztofa Kornacka

Phone
+48 728318814

Email
krzysztofa@molskigallery.com

Our range of artists

Categories

  • 3  Contemporary Art

Contemporary Art

3 Artist details

  • 8  new:comer

new:comer

3 Artist details

  • 9  paper:square

paper:square

1 Artist detail

Our Artists

Artist details

Sketches of space ribbon with mini vibrating engine Baltic Gallery of Contemporary Art in Slupsk 2022 Cycle of objects made of calabashes and fishing line “Objects, instruments, organisms” 2023 MWW Wrocław

Category: Contemporary Art, new:comer

Konrad Juściński

Konrad Juściński  was born in 1977 in Gorzów Wielkopolski. He obtained his master's degree at the University of Arts in Poznań, where he earned his doctorate in 2014 at the Department of Sculpture and Spatial Activities. Since 2020, he has led the Sculpture Studio at the Institute of Visual Arts at the University of Zielona Góra.

Creates objects, spatial installations, performances and videos. He has exhibited his works in Poland and abroad, including Germany, the Czech Republic, Sweden, Norway, France, Lithuania, Portugal, Italy, South Korea and Japan. He was twice a scholarship holder of the Ministry of Culture and National Heritage and the Adam Mickiewicz Institute. He was awarded a research scholarship by Tokyo Arts & Space and has been on artist residencies in Japan and Ireland, among others. He has a particular affinity with Japan. In 2017, he won 2nd prize at the inSPIRACJE International Visual Art Festival in Szczecin.

His work explores spatial processes and non-verbal communication. He addresses topics such as the boundary between culture and nature, safe space, impermanence, disappearance, utopia, chance and random events. She treats her work as a phenomenon of constant curiosity, seeking to make visible the non-verbal aspects of the human experience. He works on issues that blur the boundaries between the internal and external, and his projects often explore the relationship between man and nature.

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FR 120, oil on canvas, 170x105 cm, 2023 FR 119, oil on canvas, 120x120, 2023 FR 100, oil on canvas, 195x195 cm, 2022

Category: Contemporary Art, new:comer

Michał Misiak

Michał Misiak was born in 1973 in Tarnów. He studied at the Faculty of Painting of the Academy of Fine Arts in Cracow. In 1999, he defended his diploma with honours in the Painting Studio of Prof. Stanisław Rodziński. 

He is a contemporary artist who uses the language of geometry. Misiak's paintings act as a kind of impulse generating in the viewer a moment of penetration into the sphere of inner feelings and emotions.  In accordance with the Pythagorean philosophy close to him, in some of the cycles in the works he creates, he tries to show the true beauty and harmonies perceptible by the human mind only in symmetrical objects. 

His canvases revolve around the vibrations of dawn and colour extending and intervening into the surrounding reality beyond the pictorial. The out-of-picture structures with a rhythm similar to electromagnetic waves are the result of the visualisation of the invisible reality surrounding the human being, which reveals itself in the painting and then spreads beyond the frame of space remaining present and activated in the viewer's mind. 
As he says, he pays very close attention to the creative process itself, which is meditative for him. 

These technically extremely precise compositions are the result of handwritten work with a pen or rapidograph. For the most part, they are sketches of geometric structures that are later used in paintings.

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Category: Contemporary Art, new:comer

Tadeusz Gustaw Wiktor

Tadeusz Gustaw Wiktor was born in 1946 in Jelenia Góra. He studied painting and printmaking at the Academy of Fine Arts in Cracow, graduating in 1974 under Adam Marczyński. After graduation he continued his experiments with the language of geometry, while from the early 1980s he began his teaching work, which continues to this day. He has gained recognition primarily as a painter and printmaker. However, an important aspect of his work is also his activity as a critic and art theorist. Reflections on the nature of art pushed him to study the texts of philosophers of the Christian tradition and the Far East, and the treatises of Carl Gustav Jung. These reflections were then reflected in his work, filled with metaphysical content and transcendental references.

He regularly participates in the international “Plein Air of painters using the language of geometry”. The artist realizes himself in painting, drawing, workshop graphics and design. He creates geometric abstractions based on the play of opposites: positive and negative, vertical and horizontal, light and dark. His abstract works have a symbolic dimension: in them the artist conveys thoughts taken from the works of philosophers and the writings of psychologists such as Carl Gustav Jung. In addition to fine arts, Tadeusz Wiktor is also involved in art criticism and theory. He is the author of the “Unified Field Theory of Pan-Picture” inspired by Kazimir Malevich's work “Black Square on White Background.” Tadeusz Wiktor has had 50 solo exhibitions and more than 400 group exhibitions.

As he said: 

My thinking with images is a poly-image thinking. When concentrating on a painting, drawing or graphic realization, I do not aim to create a single and definitive vision of that concentration. Rather, I am oriented - open-ended - to show the relationship of multiple images that would portray this vision 'from different sides' and, as such, show its unseen characters. This kind of compositional fulfilment through image, not as a priori, focuses on movement, on dynamics, on process, on change rather than on something final, fixed, unambiguous, definitive.

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Afterimages "Water dog 3/5", 2024, pirography on paper Afterwords, 2024, pirography on paper Afterwords, 2024, pirography on paper

Category: paper:square

Zuza Dolega

Zuza Dolega (Zuzanna Seweryna Dolega) was born in 1990 in Gdynia, where she lives and works in the field of visual arts. She works with pyrography, drawing, collage, concrete poetry, art installations, textiles, miniatures and analogue projections.


Since 2012, she has specialised (as one of the few in the country) in the technique of pyrography, which she always combines with paper art, artistic textiles, site-specific installations for place and people, using light and shadow play. She also creates monumental cut-out installations, collages, works in the spirit of asemic writing, blackout and redacted poetry. In her creative search, she is also preoccupied with issues from fields such as neuroaesthetics and synaesthesia in art.


Graduate of the Faculty of Painting at the Academy of Fine Arts in Gdańsk. Assistant at the Studio Drawing Studio, the Conceptual Drawing Studio and the Narrative Drawing Studio. Lecturer and creator of the original collage workshop at the Faculty of Painting, Academy of Fine Arts in Gdańsk. She also taught at the postgraduate Art Therapy studies in Gdańsk. In 2022, she was awarded a Doctor of Fine Arts degree for her dissertation 'A sensitive reader of reality. In search of co-sensibility'.

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About us

Gallery profile

MOLSKI gallery is a contemporary art gallery in Poznań (POLAND) in the heart of the green district of Sołacz. Surrounded by a park and historic tenement houses, a modern building created specifically for art. The three-story space showcases both works in the private collection of owner Michał Molski and hosts exhibitions dedicated to specific artists or projects.

The collection is built up by works by Polish artists working in the geometric abstraction movement, but you can also find works by prominent artists working in other areas. Molski Gallery’s original program focuses on creating an intergenerational dialogue. We confront the works of outstanding individuals of
the Polish art scene of the 20th and 21st centuries with those of the younger generation in order to discover both the continuity and changes taking
place in the art space before our eyes. This fascinating journey through
various parallel realities, through various ways of thinking about art, close
to each other or more distant provides us with endless inspiration. And this
is what we want to share with the Viewer.

We are a place open to all those whose relationship with art has lasted
for many years, as well as those who are just beginning and want to get
to know it as well as possible. Collecting is a process characterized by
extraordinary dynamics, so when creating a collection we know that
over time its direction can evolve with new, seemingly incongruous elements and further transform it into new areas of exploration. We believe
that a good collection is like a carefully crafted business card, so we care
about the originality and individuality of the projects created.

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Company data

Foundation

2021