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Ralf Weber (1972) is a sculptor based in Germany. Fascinated by contrasts, contradictions and tension. Weber is inspired by nature and its materials, usually black granite and white marble. In his
Alice Cescatti (1962) originally from New Zealand, is based in London. Although she is living in a urban environment, Cescatti has instinctively gravitated towards locations for painting, that
Peter de Graaff (1961) is a painter tout court. In his search for the 'ultimate' painting, he makes eager use of the age-old vocabulary of painting. The paintings focus on figures and the interior.
Anne Rose Regenboog (1958) draws her inspiration from elementary shapes. In her oeuvre she focuses on experiment and conceptual thinking within a given context. In her studio, first in Amsterdam and
By building layer upon layer, Nikkie le Nobel (1959) creates impressions of nature in abstracted spaces. 'The ambiguity of our perception is a reason for me to layer my paintings and drawings. Both
The works of vandeCamp&Heesterbeek start with portrait photography and end with abstraction. Portrait photos are carefully deconstructed and assembled back together again. The intent of the
In the research odf Manuela Toselli, she finds inspiration in everyday life and in everything that catches her attention. The concepts she wants to convey are revised through an abstraction
Marco Ferri's works, characterized by a three-dimensional accentuated, lie between painting and sculpture, although the starting point is always pictorial. An archaeological taste that has been
Enrico Minguzzi is able to confront himself with the great nineteenth-century figurative tradition, offering an enigmatic image, pervaded by feelings of restlessness. What interests him is working
Domenico Grenci in an almost obsessive investigation treating the female face in all of its variations and differences, represents its irreducible variety, its uniqueness and its constant fascination
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