Galerie artpark

Gallery artpark is to provide space and platform for both, emerging and renown artist and serves as a bridge to create an exchange between Asian and European art & culture. Our exhibitions and featured artist confront contemporary issues by challenging the common understanding of today’s world of art. Our Gallery focus lies on visiting art fairs all over the world.

Rudi Fielitz masters the use of colors. Despite their luminous colorfulness, his pictures are always harmonious, never overpowering. The “Cosmic Compositions” by Rudi Fielitz capture the viewer with their artistic power. As humans stand fascinated and – considering their own smallness – humbled before the infnity of the universe.
Jutta Dresch

An art piece serves as a refection of the situations of each corresponding era.
Even an old proverb states, “By analyzing the ceramics, we can predict what
has been going on during that certain era.”
Therefore, I believe that by leaving the famous masterpieces behind and by
choosing to paint ones that are currently being used, Ja Hyun Choi intended to
express the culture of the contemporary.
A ceramic bowl that can contain the living, contemporary heart…
I suppose that Ja Hyun Choi’s paintings embody such things.

Fall, 2015. Seong Hoon Byun (A Ceramist)

Suh’s works have been exhibited at Palazzo Bembo,
Venice Biennale in 2013 and the KEPCO Plaza Art
Museum, as well as in numerous solo and group
exhibitions both locally and abroad. He is the
recipient of the Haengju Art Award in 2011 and
2005, and the Golden Award for Paper Art from the
World Gallery of Drawing in 2013. His work forms
part of the private collections of Hauser & Wirth
Gallery, the Seoul Paper Museum and the Tween
Tower Foundation, USA

The small, secret whisper that “a paper can be anything” is creating a new world of art that can transform a cultural tradition to another.
The reason life is so beautiful to me, is because I can leave it any time.
The ‘raindrop prelude’ is a series that draws the color of my heart, which longs for an unexplored world.
It could be the dark green of mid-summer, the mysterious blue and yellow, that reminds me of a few beautiful days.
But a plethora of colors are hidden in the countless gaps of time that exist in between.
The endless conglomeration and scattering reminisce a piano piece.
Work continues with the topic of novel aesthetics, and aesthetic expression
This is the direction I want to pursue, while continuously exploring and working on physical characteristics and expressive methods through the hanji paper, to share my story with the world.

Park Byung-Hoon’s paintings are manifestations of the marriage between bold gestural abstraction and delicate transparency.
While at first glance, the works are reminiscent of an ethereal Mark Rothko, or a vibrant Clyfford Still, Byung-Hoon is more
than a master of contemporary abstract expressionism.
He is equally aligned with performance art, his work, acting like a relic of a performative action painting caught mid-stroke.
Byung-Hoon takes advantage of the translucence of glass to create a narrative; each layer of acrylic plexiglas revealing a
different chapter to his process. Existing simultaneously as paintings and sculptures, Byung-Hoon never attempts to
control his paint. Instead he allows it to drip and flow before capturing it mid-motion between layers of acrylic.
The beauty of each layer fully realized. What is left is a dimensional and storied composition that melds sculpture and painting and
allows the viewer to see the inside of a painting.
The contrast between his seductive and dynamic layers of vibrant color and his hard- edged and minimalistic layers of Plexiglas are inherently provocative and demanding. The viewer is confronted with this divergence before sinking slowly into the layers of Byung-Hoon’s chronicle. Byung-
Hoon, coming from three generations of Pastor families, and his works, loosely inspired by stained glass windows, are sometimes viewed as windows to the soul.